Fine Art
Featured Collection
Art in the White House
The collection of fine art at the White House has evolved and grown over time. The collection began with mostly presidential portraits, commissioned or purchased by Congress, or donated by presidential descendants. In the era before photography, some presidents invited painters to set up studios in the White House to record significant events and paint their likeness. In the late
America Under Fire: Aftermath
Timeline of Events:August 29, 1814: Faced with a British demand to surrender 21 merchant ships, naval and ordinance stores and cotton, flour, tobacco and wines from the city warehouses or face attack from a squadron of seven ships, Alexandria's mayor and council bowed to the inevitable and agreed to the British demand—for they had no reliable defenses or defenders.August 30, 1814: A wa
Press Briefing Room
The West Wing: 1900-1924
1902: A White House "restoration" was undertaken. Under Theodore Roosevelt, the 19th-century conservatories were razed, and a new "temporary" executive office building, later called the West Wing, was erected. President Theodore Roosevelt worked in his new rectangular office for the first time on November 5. The first cabinet meeting was held in the new wing on November 6.
Comfort in My Retirement
They have been four years of incessant labour and anxiety and of great responsibility. I am heartily rejoiced that my term is so near its close. I will soon cease to be a servant and will become a sovereign. As a private citizen I will have no one but myself to serve, and will exercise a part of the sovereign
A Portrait of Spanish Conquistador Hernán Cortés
Late in James K. Polk’s presidency, his wife Sarah Childress Polk received an unusual gift that implicitly equated expansionism with imperialism. As a tribute to President Polk’s success as commander in chief during the Mexican-American War, General William J. Worth gave the first lady a life-size, three-quarter-length portrait of the Spanish conquistador Hernán Cortés.1 Copied from the un
The Man Who Came to Dinner at the White House
To Alexander Woollcott, the White House was the “best theatrical boarding house in Washington.” To his hostess, First Lady Eleanor Roosevelt, Woollcott was “a perfect guest,” one she welcomed “with open arms.” To White House Chief Usher, Howell G. Crim, however, the former drama critic, popular lecturer and radio personality, sometime actor, and Algonquin Round Table habitué was “impossible.” The White House house