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Benjamin Latrobe's Corn Cob capital and bundled corn stalk columns carved by sculptor Giuseppe Franzoni, installed in the east vestibule of the north wing in 1809 survived the 1814 fire.
Featuring John F.W. Rogers, Chairman of the White House Historical Association’s Board of Directors
Featuring Very Reverend Randolph Hollerith and Reverend Canon Jan Naylor Cope
Featuring Laurie Grace, Chairman of the James Hoban Society of Ireland; Brother Christy O’Carroll, Congregation of Christian Brothers; Ciarán O’Connor, State Architect of Ireland; Merlo Kelly, Senior Architect, Lotts Architecture & Urbanism; Brian O’Connell, Director and Founder of O’Connell Mahon Architects and a contributor to the book James Hoban: Designer and Builder of the White House
Featuring Dr. Christopher Moran, Chairman, Co-Operation Ireland; Merlo Kelly, Design Fellow, University College Dublin, School of Architecture Planning and Environmental Policy; and Andrew McCarthy, Independent Historian and Scholar
Native Americans hold a significant place in White House history. For thousands of years, Indigenous peoples, including the Nacotchtank and Piscataway, lived in the Potomac Valley prior to the construction of the White House. Since that time, Native Americans have come to the Executive Mansion to share their cultural heritage, meet with presidents, protest, and advocate for Indigenous rights. In
During the administration of President Harry S. Truman, the White House underwent a renovation and expansion so extensive, it changed the Executive Mansion more than the fire of 1814. The White House we know today is largely due to the renovation led by Truman. The construction took place between 1948 and 1952 and was a remarkable feat of engineering. National Park Service photographer
Since the White House was first occupied by President John Adams in 1800, influential people and organizations—or those who hoped to have influence—have bought property and built homes and offices along the streets surrounding the White House. For more than two centuries, this neighborhood has been the setting for political decision-making and diplomacy, social gatherings and protests, wartime expediencies and
Two grand houses were under construction in the young Federal City in 1816: one the President’s House, reconstructed after it was burned by the British in 1814, and the other Tudor Place, an elegant mansion rising on the heights above Georgetown. The connection between these two houses is more than temporal, as they were connected through lineage and politics for generations. Th
From the beginning of its construction in 1792, until the 1902 renovation that shaped the modern identity and functions of the interior of the White House, the fourteen paintings of this series examine the history of a national icon. Through meticulous research and tireless attention to detail, numerous sources inspired the brush of Peter Waddell to create a vision of the White
The young national capital at Washington, D.C. became the center of the War of 1812 with Great Britain during the summer of 1814. The burning of the public buildings by the British was a humiliating defeat that struck at the symbolic heart of the country. Up from the ashes of that bitter blow, a resilient nation emerged stronger and more unified.
James Hoban's life is a memorable Irish-American success story. In his boyhood he learned the craft of carpenter and wheelwright, and became an architect by profession and a builder by trade. Hoban came to America with high ambitions, and designed and erected many buildings; but what keeps his name alive today arises from one special commission—he was the architect of
The collection of fine art at the White House has evolved and grown over time. The collection began with mostly presidential portraits, commissioned or purchased by Congress, or donated by presidential descendants. In the era before photography, some presidents invited painters to set up studios in the White House to record significant events and paint their likeness. In the late
